「輕蔑自由吧、輕蔑貞節吧、輕蔑希望吧 輕蔑喜悅吧、輕蔑悲劇吧、輕蔑休息吧 輕蔑溫柔吧、輕蔑光芒吧」 沒錯，我已經做出了選擇。 最能象徵日本泡沫經濟時代的當代漫畫名家——岡崎京子 封筆前最高傑作 蜷川實花同名電影改編原著 ★ 第七屆日本文化廳Media藝術祭優秀獎 ★ 第八屆手塚治虫文化獎漫畫大獎 ★ 第三十五屆安古蘭國際漫畫節提名

「輕蔑自由吧、輕蔑貞節吧、輕蔑希望吧 輕蔑喜悅吧、輕蔑悲劇吧、輕蔑休息吧 輕蔑溫柔吧、輕蔑光芒吧」 沒錯，我已經做出了選擇。 最能象徵日本泡沫經濟時代的當代漫畫名家——岡崎京子 封筆前最高傑作 蜷川實花同名電影改編原著 ★ 第七屆日本文化廳Media藝術祭優秀獎 ★ 第八屆手塚治虫文化獎漫畫大獎 ★ 第三十五屆安古蘭國際漫畫節提名

On August 9th 1969, seven people were found shot, stabbed and bludgeoned to death in Los Angeles. The nation watched in fascinated horror as the killers were tried and convicted. But the real questions went unanswered. How did Manson make his "family" kill for him? How could these young men and women kill again and again without remorse? And did the murders go on even after Man...(展开全部)

On August 9th 1969, seven people were found shot, stabbed and bludgeoned to death in Los Angeles. The nation watched in fascinated horror as the killers were tried and convicted. But the real questions went unanswered. How did Manson make his "family" kill for him? How could these young men and women kill again and again without remorse? And did the murders go on even after Man...(展开全部)

A national bestseller—7 million copies sold. Prosecuting attorney in the Manson trial, Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the twentieth century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victim...(展开全部)

A national bestseller—7 million copies sold. Prosecuting attorney in the Manson trial, Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the twentieth century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victim...(展开全部)

On August 9th 1969, seven people were found shot, stabbed and bludgeoned to death in Los Angeles. The nation watched in fascinated horror as the killers were tried and convicted. But the real questions went unanswered. How did Manson make his "family" kill for him? How could these young men and women kill again and again without remorse? And did the murders go on even after Man...(展开全部)

On August 9th 1969, seven people were found shot, stabbed and bludgeoned to death in Los Angeles. The nation watched in fascinated horror as the killers were tried and convicted. But the real questions went unanswered. How did Manson make his "family" kill for him? How could these young men and women kill again and again without remorse? And did the murders go on even after Man...(展开全部)

惡女，是銀幕上的女性形象，也是最真實的慾望展演， 她們是性別議題反動者，也是流行文化新指標，更是所有女性的化身。 《BJ單身日記》不只是布莉姬的求愛小劇場，更是女性主義與後女性主義游移協商出的典型代表？ 《慾望城市》挑戰異性戀主流的性愛冒險與姊妹情誼，與暗藏的酷兒文化相濡以沫，宛如一座都會情慾博物館。 從芭蕾舞劇破繭新生的《黑天鵝》，如何透過鏡像理論，成為傳遞女性凝視、追求理想化自我、表現滿漲情慾的出口？ 從《超完美嬌妻》到《控制》包裝精美的主婦形象，象徵女性主體的權力翻轉，也是對父權社會最甜蜜的復仇。 《穿著PRADA的惡魔》如何從引發男性焦慮的米蘭達與小安，來看以家庭之名收編「陰性惡魔」所帶來的威脅？ ―― 拜金、敗德、叛逆、縱慾……關於流行電影中的「惡女」，世俗眼光是這樣定義的。一切的指涉，全來自於傳統價值中對女性形象的刻板詮釋，彷彿...(展开全部)

我們在《惡女書》裏看到的女同性戀感情，幾乎都刻意抽開了社會的脈絡，然而越是想要閃躲社會的幹預，反而就越是表現出作為社會奴隸的壹面。 在陳雪筆下，每壹段女同性戀情欲都是充滿罪惡感的。女同性戀其實何惡之有？女性的情欲何惡之有？為什麽必須讓女同性戀情欲遠離日常境界？陳雪如此強烈的異質逃離，反應的難道不正是社會規約的龐大陰影。